How to get help with Hi-Fi Audio Sim for Mac, HiFi Player for iPhone and HiFi Rack for iPad.
Which app do you need help with?
Hi-Fi Audio Sim has its own manual built in, and it is the same one that answers
most questions. Open it from Help in the menu bar, or press
⌘?. Every page is listed under the Help menu by name, so you
can search it from the menu bar as well as inside the window.
Yes. In Master Recordings, the second tab of the Recording Libraries window, press Import… beside the title and choose a folder or files. FLAC, Apple Lossless and AAC come in as they are, WAV and AIFF become FLAC, MP3 becomes Apple Lossless, and your originals are left alone. Open the take and press Edit… on a file to change its title, artist, album, track number and cover, or type into Name this Album to name every file at once. Drop an image on a row to add a cover. When you are done, press Publish… to write the files in the format you choose into a folder of your choice, and add that folder to your catalogue if you like.
Yes. In Settings under Audio, set Line inputs to Apps on this Mac. Each of the two jacks, PHONO and AUX, can then be pointed at one app by name or at This Mac, which is everything the Mac is playing. Select that jack on the amplifier, or on the deck's REC SOURCE, and it records like any other source. Nothing is captured until a jack is both pointed at something and selected. The rack never records its own output, and alert sounds are left out. A web browser has to be recorded with This Mac rather than by name. It needs macOS 14.2 or later, and macOS asks for permission the first time.
No. In Settings under Audio, set Line inputs to Apps on this Mac and choose This Mac for PHONO or for AUX. That jack then carries everything the Mac is playing, so a browser, a streaming service or any other app can go straight onto a tape. While the jack is selected the sound comes out of the rack rather than your speakers, so you hear it once rather than twice, and it goes back to normal when the jack is not selected. Alert sounds are left out, and the rack never records its own output. An interface is still what you want for a turntable, a cassette player or anything else outside the Mac. This needs macOS 14.2 or later, and macOS asks for permission the first time.
Yes, with This Mac. In Settings under Audio, set Line inputs to Apps on this Mac and choose This Mac for the jack you want. Choosing Safari or Chrome by name does not work, because a browser plays its sound through a separate helper process rather than its own, and the display reads NO AUDIO if you try.
It has not stopped. While the jack is selected the app leaves your speakers and comes out of the rack instead, through VOLUME, so you hear it once rather than twice. Select another input and it plays normally again. With This Mac, everything the Mac is playing moves across the same way, apart from alert sounds and the rack's own output.
No. Alert sounds are left out of This Mac whichever output they are set to, and you still hear them in the room. A sound an app plays itself is part of what that app is playing, so that is recorded.
The sound of an app is taken at the rate of the output device in your Mac's Sound settings, which is where other apps play. A 96 kHz file through an output running at 48 is already 48 before the rack sees it. Set that device to 96 kHz in Audio MIDI Setup, or play the file on the tuner instead, which takes it at its own rate.
An app can be tapped only once it is playing something, so one that is running and silent reads NO AUDIO until it starts. Press play in the app and the display shows its name. A web browser keeps saying NO AUDIO however long it plays, because it plays through a separate helper process. Choose This Mac for a browser.
Yes, with an audio interface connected to your Mac and a cassette player plugged into it. Format a virtual cassette the same length as the real one, set the deck's SOURCE to LINE, and record side A, then side B. The manual's Recording Your Own Cassettes page has the steps. Afterwards name the tracks and export the cassette with its own covers.
Yes, with a turntable connected to an audio interface, through a phono stage if it needs one. Set the deck's SOURCE to LINE, switch MASTER on with no tape in the deck, press REC at the start of a side and STOP at its end. The take is a lossless file at your interface's own rate. In Master Recordings, Edit and Split… suggests where the tracks meet from the gaps between them. Name each piece, or let Identify name it, split the take into files, add a cover and publish.
Yes. Record one onto a cassette or a DAT, or press Import in the Deck Library to lay a folder of tracks out over a cassette's two sides. Then choose Export to Files from the tape's menu. Every file gets a cover drawn from the tape, Export as a mixtape tags the tracks as one album with each side of a cassette as a disc, and a playlist keeps them in tape order. Copy the folder to your phone, or to a USB stick for the car.
Yes. Play the station, set the deck's REC SOURCE to TUNER, switch MASTER on with no tape in the deck, and press REC. A station that sends its song titles marks every change of song as it records. In Master Recordings, Edit and Split… turns those marks into splits, Suggest Breaks finds the adverts and the news and marks them Leave out, and the songs are split into named files you can publish.
Yes. Put the disc in, then in Master Recordings press Import… and choose the CD. Each track comes in as Apple Lossless, identical to the disc, named and tagged from the disc lookup when the disc is found. Publish it in any format from there.
Up to a point, and without separating the instruments. In Master Recordings, Send to Master Remix opens a file on a desk that splits it into six parts by frequency and by position: bass, air, and the centre and the sides of two middle bands. Each part has a fader, a mute and a solo. Turning the upper centre down pushes a lead vocal back, and turning the sides up widens the record. MIX DOWN writes what you are hearing, and you can publish that on its own or in the original's place in the take. The recording itself is never changed.
As a cassette plays you hear a soft hiss in the quiet parts, slightly softer treble, a little thickening on loud passages and a faint waver on held notes, depending on the tape type and the deck's condition. Settings, under Cassettes, switches each part off, or all of it with Tape character. None of it is recorded onto the cassette, so the change applies to every cassette at once.
Yes, with your Mac's own music recognition, through a shortcut. In Settings, under Audio, press Install Shortcut, then Test. Press IDENTIFY on the deck to name the track playing, or Identify Tracks in Edit Tape to name a whole tape. It needs macOS 14.4.1 or later.
A DAT or a cassette holds 16 bit audio, as the formats did. Switch MASTER on and a lossless copy of the source is kept beside the tape at its own rate and depth, which is up to 24 bit and 192 kHz from an audio interface, an exact copy of a CD, or whatever the app you are recording from this Mac is playing.
Yes. Add folders, including network shares mounted in the Finder, in Settings under Music Sources. Scan Network finds DLNA media servers, and Add Server adds one by its address. Everything goes into one catalogue, with playlists and a play queue across all of it.
Any track in your catalogue, from wherever it lives: music folders on your Mac, on an external drive or on a network share, mixed freely with tracks from DLNA media servers in the same queue. Double click a track in the catalogue, or drag tracks and albums into the queue, and drag them into the order you want. Save as Playlist… keeps a queue you like, to play again from the Playlists tab.
Yes. Both racks are 1,000 by about 625 points at their usual size, which fits a 13-inch MacBook Pro from 1280 × 800 up. The rack fills its window, so drag the window smaller on a laptop, or larger on a big display, and the rack follows. Settings, under Appearance, offers three finishes and lets you set the display colours.
Yes. Press SPEAKERS on the amplifier, or use Settings under Audio. A receiver joins the list once your Mac is sending sound to it, and the same panel has a button that opens Sound Settings so you can pick it. A receiver holds about two seconds of sound before it plays any of it, and the app waits the same amount before it moves the meters, the counters and the track names, so they keep step with what you hear.
Only three things: the disc lookup when a CD goes in, your station searches, and the stations you play. A station search carries what you typed, and your country when that tick box is on, which comes from your Mac's Region setting rather than your location. DLNA stays on your own network. Naming by music recognition is done by Apple, through your shortcut. There is no account and no analytics, and nothing is collected. The privacy policy has the details.
Tapes are ordinary files in the folder you choose in Settings, under Deck Library, and master recordings are in your Master Library. Back them up as you would any files, with Time Machine for example. Your catalogue and playlists can be saved to a file with Save… beside Current, in Settings under Music Sources.
Choose About Hi-Fi Audio Sim from the Hi-Fi Audio Sim menu. The chart splits them four ways, audio cassettes, DAT tapes, hard disks and master recordings, with each one's size and share beside it. The figures are what the recordings take up on disk, which is what the Finder shows.
Its audio is in iCloud rather than on this Mac, which happens when your library folder is in iCloud Drive and the Mac is set to optimise storage. The recording stays on the shelf. Choose Download from iCloud, in the pane beside it or in its menu, and it comes back. Nothing is downloaded until you ask, so opening the window and reading an inlay card leave your recordings where they are. Rescan in the toolbar picks up anything iCloud has taken away or handed back while the window was open.
No. macOS has no MP3 encoder. Choose AAC for small files: it plays on almost everything that plays MP3. MP3s you import come in as Apple Lossless.
No. Choose Export to Files from the tape's menu in the Deck Library for ordinary audio files, or Export to Master to work on them in Master Recordings.
No. The rack holds one recording deck at a time: DAT, cassette or hard disk. To copy a tape, export it to files, choose another deck with the RECORDER keys on the amplifier or in the Rack menu, and put the files on a new tape with Import in the Deck Library.
No. The app's noise reduction only turns down the hiss it adds itself. If a real cassette was recorded with noise reduction, switch the same on at your cassette player while you copy it.
No. It has to be on your Mac or on a drive plugged into it. Your music folders can be on a network share.
No. You add your own images in Master Recordings, from the Finder, a browser or the clipboard. An exported tape gets a cover the app draws from the tape itself.
No. The CD player plays discs and Master Recordings imports them, but the app does not write discs.
No. The app can eject a disc that is in the drive, but it cannot open an empty drive. Use the drive's own button, then put the disc in.
Not always. Some network players and speakers play nothing above 48 kHz. Publish or export at 44.1 or 48 kHz for those.
Whatever your Mac's sound input is set to. On a MacBook that is the built in microphone unless you choose otherwise, so it hears the room and the music has to be playing out loud. An audio interface with a loopback, or audio routing software, lets it hear the music directly. Check the input in System Settings, under Sound.
Both, as separate apps. HiFi Player on the iPhone draws a tape and plays it. HiFi Rack on the iPad draws the rack itself: the amplifier, the equaliser, the tuner and a recording deck. Each plays the recordings this app makes, with their sides, track marks and cassette sound, and each is licensed on its own. Send a recording across with Send to Device, in the Deck Library; the same folder serves both. Recording, editing and everything else stay on the Mac. See The iPhone Player and HiFi Rack for iPad in the app's manual.
Playing these recordings on a phone or an iPad? See HiFi Player for iPhone and HiFi Rack for iPad below.
HiFi Player is a free companion app. It plays the tapes Hi-Fi Audio Sim makes, and nothing else: making, editing, naming and publishing all stay in the Mac app.
A free app for iPhone that plays the cassettes, DAT tapes and hard disks made in Hi-Fi Audio Sim, with their sides, their track marks and their cassette sound. It has a transport, an equaliser and meters, and it only reads.
To make tapes, yes. The player comes with two demo tapes, so you can hear what it does before you have any of your own.
On the Mac, choose a folder in Settings under Deck Library, then pick Send to Device from a tape's menu in the Deck Library. On the phone, choose that same folder the first time you open the app. A folder in iCloud Drive is the easiest, because the Mac can write straight into it. You can also drop a tape into the player's own folder with Finder, with the phone plugged in.
No. Any folder the Files app can reach will do, including the player's own folder on the phone. iCloud Drive is simply the one that needs no cable.
Pull down on the shelf to look again. A tape still on its way from iCloud appears with a cloud badge and its size, and plays once it has arrived.
A cloud with an arrow means the tape is in the cloud and not on the phone; tap it to fetch it. A phone means it is here, and its menu offers Offload, which frees the space and leaves the tape safe in the cloud. Both are also swipe actions on the row.
Its label has arrived and its audio has not, which is normal for a large tape on a slow connection. Wait for it, or open the folder in Files and fetch it there.
They step aside as soon as you choose a folder of your own, so they are not mixed in with your recordings. They are still on the phone, under On My iPhone in the Files app, and you can delete them there. Forget the folder and they come back.
No. The player only reads, and nothing you do on it changes a tape. That is what makes it safe to keep your only copy in a shared folder.
Yes, for each tape, kept on the phone. The first time it meets a tape it picks up where the Mac left off.
Hold a skip key. Cassette Settings sets the winding speed, separately for cassettes and for DAT tapes, from a realistic wind to instant. A hard disk skips straight to the track instead, because there is no tape to wind.
Yes. It runs on from side A into side B by itself, and the display says which side you are on.
Yes. A soft hiss in the quiet parts, slightly softer treble, a little thickening on loud passages and a gentle waver, all following the tape type and the deck condition the recording was made with. Turn it off in Cassette Settings and the tape plays exactly as it was stored.
The equaliser's memories, with the same seven bands as the rack and the same four curves to start from. Press one to use it, and press the lit one again to switch the equaliser off. You can rename them to whatever means something to you, such as the headphones you use on the train.
Yes. AirPlay plays about two seconds behind, so the player waits the same amount before it moves them. They match what you are hearing rather than what has been sent. On headphones and wired output there is nothing to wait for.
Two edges of that are worth knowing. After you press play the counter sits still for a moment, because nothing later than that has reached you yet. After you press stop the meters drop at once while the receiver plays out what it already holds.
There is no icon on the car's home screen. Choose a tape on the phone before you set off and the car's own Now Playing screen takes over, with the cover, the title and working play, stop and skip keys.
Because that is what is playing. The player draws the cassette, DAT tape or drive, with its name and the side you are on, for the lock screen, the car and AirPlay.
iPhones running iOS 15 or later.
No. It has no network connection of any kind, no account and no analytics. The privacy policy says so in full.
The same as on the Mac, since a tape is uncompressed: about 635 MB an hour at 44.1 kHz and 690 MB an hour at 48 kHz. Offload the ones you are not listening to and they stay in the cloud.
HiFi Rack is a separate app with a licence of its own. It draws the rack on an iPad and plays the recordings Hi-Fi Audio Sim makes: recording, editing, naming and publishing all stay in the Mac app.
The rack itself on an iPad. The amplifier, the equaliser, the tuner and a recording deck, on one screen, working the way they do on the Mac. It plays cassettes, DAT tapes and hard disks with their sides, their track marks and their cassette sound, and it plays internet radio.
The phone draws a tape and plays it. The iPad draws the whole rack, with the amplifier's controls, the seven band equaliser and its four memories, and the tuner. They are separate apps, licensed separately, and both read the same folder, so a recording sent once can be played on either.
No. There is no MASTER, no line input and no way to write to a recording. Nothing you do on the iPad can change a tape.
No. An iPad has no drive to put a disc in, so that unit is not there.
No. The tuner is internet radio only: there is no catalogue and no play queue, because an iPad is not usually where a music library lives. What it plays is the recordings you send it, and the radio.
In the Mac app, open Settings, Deck Library, and choose a folder your iPad can see, such as one in iCloud Drive. Then pick a recording in the Deck Library and press Send to Device. On the iPad, point HiFi Rack at the same folder. The same folder serves the iPhone player too.
Yes. It comes with three demo recordings, one for each kind of machine it draws. They step aside once you choose a folder of your own, and you can delete them.
Settings has a Units list. Turn a box off and the rest grow, because the rack fills the screen. The amplifier is always there, since everything plays through it.
Yes. Headphones, Bluetooth, CarPlay and AirPlay are routed by iPadOS the moment they are connected, and SPEAKERS on the amplifier opens the system's own chooser. An AirPlay receiver holds about two seconds before it plays anything, and the meters and counter wait the same amount so they keep step with what you hear.
One address for both apps. If the answers above do not cover it, write to support@hifiaudiosim.com and say which app you are writing about.
On the Mac, macOS keeps a report. Open Console, choose Crash Reports in the sidebar, and find the most recent one named Hi-Fi Audio Sim.
On the iPhone or the iPad, open Settings, then Privacy & Security, Analytics & Improvements, Analytics Data, and look for the most recent entry whose name begins with HiFi Player or HiFi Rack. Tap it and share it. Any of these reports tells us far more than a description can.
Tapes are ordinary files in the folder you chose for them, and Hi-Fi Audio Sim never moves or uploads them. If you ever remove the app, its uninstaller takes the program and its settings and deliberately leaves your recordings alone.
HiFi Player only reads. It cannot change, move or delete a tape, so sending one to your phone is always a copy.